Rolled Hairstyles, Le Miroir Parisien, 1864.
(Met Museum)
During the 1860s, ladies often wore their hair rolled back at the sides and at the nape of their neck. These rolls were usually created using false hair or “rats.” A rat was a homemade hairpiece made from the hair collected from a lady’s brush each evening. It was used to pad out the rolls and to help them keep their shape. Since it was made from a lady’s own hair, it provided the best match in color and texture.
Some rolled hairstyles of the 1860s were incredibly elaborate. According to the May 1863 edition of Godey’s Lady’s Book:
“Perfect scaffoldings of hair are now built on the head— roll upon roll — puff upon puff.”
Clarissa Coiffure and Morny Headdress.
Godey’s Lady’s Book, 1864.
Such coiffures required more than a few rats to pad out their many rolls. Godey’s describes a style which used “two rats, two mice, a cat, and a cataract.” It sounds a little like fashion sarcasm, but in fact, rats, cats, mice, and cataracts were all names for pieces of hair used to pad out various places on one’s head. As Godey’s explains:
“The rats are the long frizetts of curled hair for the side rolls; the mice are the smaller ones above them; the cat is for the roll laid over the top of the head; and the cataract is for the chignon at the back of the head— which is sometimes called waterfall, cataract, and jet d’eau.”
In my newest Victorian romance A Holiday By Gaslight there is a scene in which the heroine uses rats to style her younger sister’s hair into a waterfall of rolls. The style described is based on an actual hairstyle from 1863 (pictured below), in which the hair was rolled at the sides, with three rolls stacked at the back. The whole was then ornamented with fresh flowers and greenery.
Le Moniteur de la Coiffure, 1863.
(Met Museum)
As an alternative to rats (and mice and cats), many ladies of the 1860s employed false hair or pads. These came in various shapes and sizes and, much like rats, could be rolled into a lady’s coiffure to add thickness and to help the roll hold its shape. False hair, pads, and rats were secured into the hair with hair pins. The whole coiffure could then be sprayed with liquid bandoline. Made of clear gum solution, liquid bandoline was the Victorian equivalent of hairspray.
*Author’s Note: A hairstyle known as “Cats, Rats, and Mice” is mentioned in Margaret Mitchell’s 1936 novel Gone With The Wind. I don’t have anything more about that specific style on my blog, but If you’d like to learn more about Victorian hairstyles in general, please see these articles from my archives:
A Fashionable Coiffure: Rolls, Plaits, and other Popular Hairstyles of 1863
A Simple Coiffure: Basic Hairstyles for Victorian Women of Moderate Means
Gold and Silver Hair Powders for Fashionable Victorian Coiffures
Victorian Hairspray: A Brief History of Gum Solutions and Bandoline
Sources
Englishwoman’s Domestic Magazine. London: S. O. Beeton, 1860-1863.
Godey’s Lady’s Book. Philadelphia: Louis A. Godey, 1860-1865.
Ladies Companion’ and Monthly Magazine. London: Rogerson and Tuxford, 1861.
Matthews, Mimi. A Victorian Lady’s Guide to Fashion and Beauty. Barnsley: Pen and Sword Books, 2018.
Available Now
The Belle of Belgrave Square
(Belles of London, Book 2)
A PopSugar and BookBub Best Romance of 2022
A London heiress rides out to the wilds of the English countryside to honor a marriage of convenience with a mysterious and reclusive stranger.
Tall, dark, and dour, the notorious Captain Jasper Blunt was once hailed a military hero, but tales abound of his bastard children and his haunted estate in Yorkshire. What he requires now is a rich wife to ornament his isolated ruin, and he has his sights set on the enchanting Julia Wychwood.
For Julia, an incurable romantic cursed with a crippling social anxiety, navigating a London ballroom is absolute torture. The only time Julia feels any degree of confidence is when she’s on her horse. Unfortunately, a young lady can’t spend the whole of her life in the saddle, so Julia makes an impetuous decision to take her future by the reins—she proposes to Captain Blunt.
In exchange for her dowry and her hand, Jasper must promise to grant her freedom to do as she pleases. To ride—and to read—as much as she likes without masculine interference. He readily agrees to her conditions, with one provision of his own: Julia is forbidden from going into the tower rooms of his estate and snooping around his affairs. But the more she learns of the beastly former hero, the more intrigued she becomes…
Find out more or Read an Excerpt
Order Today
Amazon | Barnes & Noble | Kobo | Apple | Google
“Shiveringly Gothic.”
—New York Times Book Review“Mimi Matthews never disappoints.”
—Jodi Picoult, #1 New York Times bestselling author“Such tremendous good fun.”
—Kate Quinn, New York Times bestselling author“A grand cross-class romance.”
—Publishers Weekly, starred review“An intoxicating, suspenseful romance.”
—Library Journal, starred review
© 2015-2023 Mimi Matthews
Join Mimi’s Newsletter
For exclusive information on upcoming book releases, giveaways, and other special treats, subscribe to THE PENNY NOT SO DREADFUL.
You can also connect with Mimi on Facebook, Twitter, and Instagram, and in her private FB group The Victorian Reading Room.
About Mimi Matthews
USA Today bestselling author Mimi Matthews writes both historical nonfiction and award-winning Victorian romances. Her novels have received starred reviews in Publishers Weekly, Library Journal, Booklist, Kirkus, and Shelf Awareness, and her articles have been featured on the Victorian Web, the Journal of Victorian Culture, and in syndication at BUST Magazine. In her other life, Mimi is an attorney. She resides in California with her family, which includes a retired Andalusian dressage horse, a Sheltie, and two Siamese cats.
