“If you don’t take care my gel, you’ll turn into a radical like that Wollstonecraft woman.”
The Stanforth Secrets, Jo Beverley, 1989.
Mary Wollstonecraft, 1790.
by John Opie
(The Tate)
Born on April 27th 1759, Mary Wollstonecraft published A Vindication of the Rights of Woman in 1792 when she was only thirty-three years old. In it, she argued against the natural inferiority of women, writing that “…it cannot be demonstrated that woman is essentially inferior to man, because she has always been subjugated” and that it was the neglected education of her “fellow creatures” that was the primary source of their misery.
As modern readers, it seems to be a perfectly reasonable, wholly uncontroversial argument. Indeed, basic commonsense. But what of readers in the late 18th and early 19th centuries, you ask? Surely they must have been scandalized by Wollstonecraft’s arguments for equality.
The fact is, the majority of the initial notices for A Vindication of the Rights of Woman were favorable. Many reviewers saw it as a “sensible treatise on female education,” choosing to ignore the more political feminist aspects of the work.
It was only later that the negative criticism of Wollstonecraft’s ideas set in. This was largely due to the publication of William Godwin’s biography of his deceased wife, Memoirs of the Author of a Vindication of the Rights of Woman, in which he revealed deeply personal facts about Wollstonecraft’s life. The public was shocked and there were many who were quick to conclude that Wollstonecraft’s love affairs, suicide attempts, and the birth of her illegitimate daughter were a direct result of her feminist theories and lifestyle. She was held up as a warning to those women who sought equality of the sexes.
Seduction, 1990.
by Amanda Quick
(Original Inside Cover)
Julian’s indulgent expression was wiped off his face in an instant as he read the title aloud. “Wollstonecraft’s A Vindication of the Rights of Woman?”
“I fear so, my lord.”
His eyes were glittering as he looked up from the book in his hands. “This is the sort of thing you have been studying? This ridiculous nonsense espoused by a woman who was no better than a demirep?”
“Miss Wollstonecraft was not a…a demirep,” Sophy flared indignantly. “She was a free thinker, an intellectual woman of great ability.”
“She was a harlot.”
(Seduction, Amanda Quick, 1990.)
A Vindication of the Rights of Woman has been used in countless romance novels as a sort of shorthand, a means of conveying to us that the heroine who possesses Wollstonecraft’s book is an intelligent and independent female – a lady who is not “created to be the toy of man, his rattle” that must “jingle in his ears whenever he chooses to be amused.”
According to Wollstonecraft, at that time in history, “gentleness, docility, and a spaniel-like affection” were “consistently recommended as the cardinal virtues of the sex.” If you are a historical romance reader, however, I would wager that a novel with a spaniel-like heroine might not be very high up on your “To Be Read” list.
Conversely, some of the most memorable and beloved heroines of modern day historical romances are the spirited, independent, free thinking variety of females that begin by aggravating and confounding the straight-laced hero and end by winning his heart. The next time you encounter one of these magnificent leading ladies in your literary travels, I urge you to take a moment to remember the late, great Mary Wollstonecraft. Without her contribution, who knows what our historical romance heroines would look like today.
Sources
Beverley, Jo. The Stanforth Secrets: A Regency Romantic Intrigue. New York: Walker, 1989.
Quick, Amanda. Seduction. New York: Bantam, 1990.
Wollstonecraft, Mary. A Vindication of the Rights of Women. Buffalo, NY: Prometheus, 1989.
Available Now
The Belle of Belgrave Square
(Belles of London, Book 2)
A PopSugar and BookBub Best Romance of 2022
A London heiress rides out to the wilds of the English countryside to honor a marriage of convenience with a mysterious and reclusive stranger.
Tall, dark, and dour, the notorious Captain Jasper Blunt was once hailed a military hero, but tales abound of his bastard children and his haunted estate in Yorkshire. What he requires now is a rich wife to ornament his isolated ruin, and he has his sights set on the enchanting Julia Wychwood.
For Julia, an incurable romantic cursed with a crippling social anxiety, navigating a London ballroom is absolute torture. The only time Julia feels any degree of confidence is when she’s on her horse. Unfortunately, a young lady can’t spend the whole of her life in the saddle, so Julia makes an impetuous decision to take her future by the reins—she proposes to Captain Blunt.
In exchange for her dowry and her hand, Jasper must promise to grant her freedom to do as she pleases. To ride—and to read—as much as she likes without masculine interference. He readily agrees to her conditions, with one provision of his own: Julia is forbidden from going into the tower rooms of his estate and snooping around his affairs. But the more she learns of the beastly former hero, the more intrigued she becomes…
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© 2015-2023 Mimi Matthews
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About Mimi Matthews
USA Today bestselling author Mimi Matthews writes both historical nonfiction and award-winning Victorian romances. Her novels have received starred reviews in Publishers Weekly, Library Journal, Booklist, Kirkus, and Shelf Awareness, and her articles have been featured on the Victorian Web, the Journal of Victorian Culture, and in syndication at BUST Magazine. In her other life, Mimi is an attorney. She resides in California with her family, which includes a retired Andalusian dressage horse, a Sheltie, and two Siamese cats.
